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	<title>Alexander Grychtolik &#8211; Passacaille</title>
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	<description>Independent label for classical music</description>
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	<title>Alexander Grychtolik &#8211; Passacaille</title>
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		<title>Generations. Works for two harpsichords by W.F. Bach, C.P.E. Bach, J.C. Bach, W.A. Mozart.</title>
		<link>https://passacaille-records.eu/en/product/generations-works-for-two-harpsichords-by-w-f-bach-c-p-e-bach-j-c-bach-w-a-mozart/</link>
		
		<dc:creator><![CDATA[Wendi Duqué]]></dc:creator>
		<pubDate>Fri, 21 Mar 2025 15:26:37 +0000</pubDate>
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					<description><![CDATA[<strong>Artists</strong>: Aleksandra Grychtolik, <a href="https://passacaille-records.eu/en/artists/alexander-grychtolik/">Alexander Grychtolik</a>

<strong>Composers</strong>: Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach, Johann Christian Bach, Wolfgang Amadeus Mozart.]]></description>
										<content:encoded><![CDATA[
<a href='https://passacaille-records.eu/wp-content/uploads/2025/03/01-Allegro.mp3'>Allegro</a>
<a href='https://passacaille-records.eu/wp-content/uploads/2025/03/08-Duetto-II.mp3'>Duetto II</a>
<a href='https://passacaille-records.eu/wp-content/uploads/2025/03/12-Rondeau.-Allegro.mp3'>Rondeau. Allegro</a>

<p><span class="fontstyle0">With their new album </span><span class="fontstyle2">Generations</span><span class="fontstyle0">, </span><span class="fontstyle3">Aleksandra and Alexander Grychtolik </span><span class="fontstyle0">present prominent ‘influencers’ of keyboard music who shaped the transition from the galant style to the classical period. This journey begins with </span><span class="fontstyle3">Wilhelm Friedemann Bach </span><span class="fontstyle0">and </span><span class="fontstyle3">Carl Philipp Emanuel Bach</span><span class="fontstyle0">, who composed works for two harpsichords in the footsteps of their father, Johann Sebastian Bach, and continues through their half-brother </span><span class="fontstyle3">Johann Christian Bach </span><span class="fontstyle0">to </span><span class="fontstyle3">Wolfgang Amadeus Mozart</span><span class="fontstyle0">, widely regarded as the inventor of four-handed playing and deeply inspired by the music of the Bach sons.</span></p>
<p><strong>Booklet:</strong> EN, DE, FR</p>
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		<title>J.S. Bach. Passionoratorium</title>
		<link>https://passacaille-records.eu/en/product/j-s-bach-passionoratorium/</link>
		
		<dc:creator><![CDATA[Wendi Duqué]]></dc:creator>
		<pubDate>Fri, 01 Mar 2024 08:22:50 +0000</pubDate>
				<guid isPermaLink="false">https://passacaille-records.eu/?post_type=product&#038;p=10577</guid>

					<description><![CDATA[<strong>Artists</strong>: <a href="https://passacaille-records.eu/en/artists/il-gardellino/">Il Gardellino</a>, Alexander Grychtolik

<strong>Composers</strong>: Johann Sebastian Bach]]></description>
										<content:encoded><![CDATA[
<a href='https://passacaille-records.eu/wp-content/uploads/2024/03/Il-Gardellino-Baroque-Orchestra-and-Choir-Alexander-Grychtolik-Passionoratorium-BWV-ANh.-169-CD1-01-01-Choral.mp3'>Il Gardellino - Baroque Orchestra and Choir - Alexander Grychtolik - Passionoratorium BWV ANh. 169 CD1 - 01 - 01 Choral</a>
<a href='https://passacaille-records.eu/wp-content/uploads/2024/03/Il-Gardellino-Baroque-Orchestra-and-Choir-Alexander-Grychtolik-Passionoratorium-BWV-ANh.-169-CD1-06-06-Aria.mp3'>Il Gardellino - Baroque Orchestra and Choir - Alexander Grychtolik - Passionoratorium BWV ANh. 169 CD1 - 06 - 06 Aria</a>
<a href='https://passacaille-records.eu/wp-content/uploads/2024/03/Il-Gardellino-Baroque-Orchestra-and-Choir-Alexander-Grychtolik-Passionoratorium-BWV-ANh.-169-CD2-07-26-Evangelista.mp3'>Il Gardellino - Baroque Orchestra and Choir - Alexander Grychtolik - Passionoratorium BWV ANh. 169 CD2 - 07 - 26 Evangelista</a>

<p><span class="fontstyle0">A once abandoned Passion project by </span><span class="fontstyle2">J. S. Bach</span><span class="fontstyle0">? Harpsichordist and conductor </span><span class="fontstyle2">Alexander Grychtolik</span><span class="fontstyle0">, together with the </span><span class="fontstyle2">Il Gardellino Orchestra</span><span class="fontstyle0">, embarks on a captivating artistic experiment with this presentation of the </span><span class="fontstyle2">Passion Oratorio BWV Anh. 169</span><span class="fontstyle0">. The starting point for the partial reconstruction attempt and the completion of the work is the surviving libretto by the poet Picander from 1725. This unique endeavor draws the audience into a profound exploration of human empathy with the poignant suffering of Jesus and sheds light on a passion aesthetic we had not seen previously in Bach’s repertoire.</span></p>
<p>&nbsp;</p>
<p><strong>Booklet:</strong> EN, FR, DE</p>
<p><strong>Lyrics:</strong> DE, EN</p>
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